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Limow
The $12 million project is comprised of a 28,000-square-foot contemporary venue that highlights the collections’ important cultural assets and recognizes each segment as part of the greater cultural history of the state of Louisiana. The project is situated in Natchitoches, the oldest settlement from the Louisiana Purchase. Trahan Architects has tried to embrace this history and the landscape into the design by cladding the exterior in sinker cypress planks as a reference to the region’s rich timber legacy.
According to Trey Trahan, “our design is informed by the historic architecture and materials of the region, while presenting a contemporary architectural language to this remarkable city.”
The spacing and manipulation of the exterior boards control light, views and ventilation. The arrangement creates a sense of porosity and articulation that will animate the façade and mediate the building’s scale. The louvers also make a reference to the cladding at nearby Oakland Plantation, where wood planks were used for the purpose of mitigating the climate.The interiors highlight the “area’s distinctive geomorphology and aspects of the river’s hydromorphology.” Fluid shapes of “the braided corridors of river channels” are separated by “interstitial masses of land” to create the organizing principle for visitor circulation and gallery arrangement.
The project is scheduled to be completed in March 2011.












From the four projects presented (Jean Nouvel, UNStudio, Snøhetta & Zao), UNStudio’s design was yesterday unanimously chosen by the jury for realisation.
Seen at designboom. Architect’s description and more images after the break.
The dance palace forms an integrated part of the european embankment city quarter masterplan for a new urban square in the historic centre of St. Petersburg.
The urban context of the building is essential to the design. The dance palace is positioned on the square in such a way as to allow for unrestricted visibility towards the nearby Prince Vladimir and Peter and Paul cathedrals, thereby framing some of the most exceptional buildings in St. Petersburg. The sculptural qualities of the dance palace reflect those of the surrounding buildings in the masterplan, providing a connection to its surroundings yet still retaining saliency. A central main entrance is incorporated into the façade design in order to fully integrate the building into this lively public square.
UNStudio’s design for the dance palace presents an open and inviting theatre building with provision for 1300 guests (large auditorium 1000, small auditorium 300). Programmatic considerations focus on the spacious circulation of the public foyer and the transparent relationship to the surrounding public square and the city. Integration with the existing neighbouring buildings is achieved by both the scale of the building - which in elevation follows and respects St. Petersburg’s typical 28m roofline and the transformative transparency which is introduced by a facade system of triangular cladding panels. The variation between opaque and perforated panels creates a controlled openness, depending on programme, views and orientation.
‘The vertical foyer provides a high level of transparency from inside to outside, whilst also presenting a kind of stage for visitors to the theatre; a place to see and be seen. the open arrangement and balcony structure in the foyer provides plateaus for its own choreography of both intimacy and exposure.
Essential to UNStudio’s design for the main auditorium in the new dance theatre are both the acoustic considerations and the proximity of the audience to the stage. For this reason the horseshoe form was chosen. This form is considered to be one of the most successful forms acoustically in ballet and musical theatre for both performer and audience, whilst the proximity it affords to the stage ensures an intimate and collective experience for the spectator.
A mandatory requirement when we were designing the auditorium was to make it possible to see the dancer’s feet from every seat in the hall at all times, no matter where the performer was positioned on the stage.
by: Sebastian J
Via: archdaily





In addition to the tower, a smaller freestanding 7-storey building, known as the cube, offers multi-level indoor/outdoor terraces with an extensive mix of dining and leisure facilities. These facilities activate the lower levels as the general public will have access via a direct above-ground pedestrian link.
The skyscrapper is due to be completed by 2012.
by: Karen Cilento
Via: Archdaily

The Brands pack from adidas’ Five-Two 3 project is a collaboration with 5 global lifestyle brands, all from different genres of fashion. With each brand having it’s own unique style the pack showcases the diversity and broad appeal the five footwear models have in today’s lifestyle market. Today we take a look at the Forum designed by New York based creative collective, Nom de Guerre.
Nom de Guerre’s Forum builds on the revolutionary basketball shoe’s hardwearing ankle straps and heel support made for hard landings, revising the shoe using the United States Military jungle boot as an inspiration prototype. Next, Nom de Guerre reworked the Forum’s ankle strap to reference war hospital ankle bandaging. Additionally, the colours on the sole of the shoe serves as a reminder of the many hours of target practice accrued during training. The byproduct of these elements is an extremely versatile shoe designed to accommodate a range of climates while providing critical protection over various terrain.
About Nom de Guerre


